Project 03 / 03
A contemporary museum needing a digital home that honours the work inside it. Navigation as exhibition. Silence between the elements, made structural.
Paloma Museum had recently undergone a curatorial rebrand. The galleries were thoughtful, the collection diverse, the programming ambitious. But their website was a calendar with a logo on it — functional in the narrowest sense, but entirely absent of the experience it should be previewing.
Visitors arrived underprepared. The works inside were challenging, contextual, layered — but the site gave you nothing to hold on to before you arrived. The physical wayfinding was considered; the digital wayfinding was an afterthought.
The brief: design a website that earns the work it represents. Navigation as exhibition. Space between elements — active, not accidental. Something that tells you what kind of institution this is before you read a single word.
"Design is the silence between the elements."— Design principle applied throughout this project
Digital Exhibition
The site architecture mirrors the physical museum — you enter through a lobby, move between galleries, and each collection has its own atmosphere. Typography, spacing, and image treatment shift subtly as you move between wings. You feel the transition before you read the label.
Digital Wayfinding
Before they walk through the door, visitors now have access to timed audio guides, exhibition floor plans, and contextual notes for each work. The digital space prepares them — and extends the experience after they leave.
Design Decisions
Typography as Architecture
A single typeface family used across the entire site. Size, weight, and spacing do all the work. No decorative type. The hierarchy is structural, not ornamental.
Image as Foreground
Every artwork gets a full viewport at some point in its journey through the site. No thumbnails. No grids that shrink the work. The art is always the subject.
Motion with Purpose
Transitions are slow, deliberate, and directional. You always know where you came from and where you're going. Animation used to orient — never to decorate.
Outcomes
01
Surveys showed visitors arriving with more context about the collection — reducing the gap between the digital preview and the physical experience.
02
Time on site increased significantly. Visitors were reading exhibition notes, listening to audio guides, and returning after their visit to revisit works they'd seen.
03
The website became the museum's most visible communication. Press coverage of new exhibitions now consistently included the site as part of the experience.
The Website
↕ Scroll inside the frame to explore the full site
Admission
₹200 · Free on Tuesdays
Hours
Tue–Sun, 10am – 6pm
Audio Guide
App & at desk
Collection
Untitled (IV)
A. Krishnamurthy, 2022
Still Study No. 3
R. Sharma, 2019
Black Ground
T. Mehta, 2021
Form (After)
S. Nair, 2023
Exhibitions
Current · Gallery 04
The Geometries
Geometric abstraction across six decades, from hard-edge to minimalism.
14 Jan – 30 Mar 2025
Permanent · Galleries 01–03
The Permanent Collection
Works from 1960 to the present: painting, sculpture, new media.
Year-round
Upcoming · Gallery 06
Tender Infrastructures
Five artists exploring care, systems, and the body as architecture.
Opens 12 Apr 2025
Plan Your Visit
Hours
Tue – Fri: 10am – 6pm
Saturday: 10am – 8pm
Sunday: 11am – 5pm
Closed Mondays
Admission
Adults: ₹200
Students: ₹100
Under 12: Free
Tuesdays: Free
Location
3 Museum Road
Banjara Hills
Hyderabad 500034
Admission
₹200
Hours
Tue–Sun, 10–6
Collection
Untitled (IV)
Still Study No. 3
Exhibitions
The Geometries
Now · Gallery 04
Permanent Collection
Year-round · Galleries 01–03
Tender Infrastructures
Opens Apr 12 · Gallery 06
Gallery 04 · Work 07
Ananya Krishnamurthy, 2022
Oil on canvas
180 × 240 cm
Collection of Paloma Museum